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Next she asked us to produce 6 frames which would establish where our character/s are placed in the scene, so I started with a far street view of the florist's and gradually panned in until you go through the window to where Webster is. I know that most of these shots will not be used in my final animation mostly because it will just unnecessarily complicate things but it was a really useful exercise in allowing us to see in our minds the journey to our characters.
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